The Acacia Strain are sixteen year veterans of the aggressive music scene and their latest product, Gravebloom, shows they know what they’re doing, but also that they’re not afraid of experimenting. Hailing from a small, old, western Massachusetts town that would have inspired H.P. Lovecraft, the band excel at making brutal music with a dreary overtone. Basically, they create the aural equivalent of a winter night in a foggy, empty New England town – harsh and unforgiving.
Gravebloom is slow, sludgy, and depressing and tends to blend together at times. Then it changes to a frenetic pummeling assault without warning. The title track maintains a faster pace than “Model Citizen” or “Worthless,” which are good representations of the record overall, and then it switches gears with a melodic instrumental section. “Abyssal Depths” is slow enough to be boring, but it’s an outlier. The album sounds like it’ll play much better live while you’re swinging your fists and hitting your friends. I still recommend checking it out.
SAYREVILLE, NJ – Crowds flooded into New Jersey’s Starland Ballroom on Wednesday, May 10th to see the highly anticipated We Will Detonate Tour, headlined by Pierce The Veil and Sum 41, with support from Emarosa and Chapel.
Continue reading LIVE SHOTS: Pierce The Veil, Sum 41, Emarosa, Chapel take over Starland Ballroom
Gideon have made themselves a staple in the hardcore scene during the last several years, and it’s no wonder why. With commanding vocals, charging breakdowns and emotional lyrics, this Alabama-born band have everything fans could want, which they showcase brilliantly on their new record, Cold.
Continue reading RECORD REVIEW: Gideon’s ‘Cold’ is bold and emotional
Famous Last Words and Manafest hit the Championship Bar & Grill in Trenton, NJ May 9th; a venue splattered top to bottom with graffiti, plastered with band stickers and decorated with eclectic memorabilia (rusted bike handlebars, flowers, Sherlock Holmes tales, etc.). Check out some photos from their passionate performances right here!
READ MORE: TOP TEN ‘TWILIGHT ZONE’ EPISODES WITH FAMOUS LAST WORDS
Continue reading LIVE SHOTS: Famous Last Words, Manafest Hit Trenton, NJ
Motionless In White are back yet again with their new release, Graveyard Shift. This band has always had a knack for genre transition, and Graveyard Shift is no exception. They stay on the industrial path they’ve been going down with tracks like “Queen For Queen” and “Necessary Evil,” the latter of which features Jonathan Davis, frontman of Nu-Metal juggernaut, Korn. MIW also introduce a more punk-inspired vibe on their single, “Loud(Fuck It).” Most refreshing to hear is that they’re not afraid to still get heavy, which is obviously apparent on the ironically titled, “Soft.”
Continue reading REVIEW: Motionless In White Take Things Up A Notch With ‘Graveyard Shift’
Terror, one of the most well known and respected hardcore bands around, have released their new EP The Walls Will Fall and it quite literally crushes. Though it is only five songs – including a cover of Madball‘s “Step To You” – the EP emits just as much energy and passion as any of their full-lengths.
What makes The Walls Will Fall such a great addition to Terror’s discography is that it is both more accessible than their earlier material while also being as hard as ever. Because it is just an EP, it is a breath of fresh air and just enough for Terror fans to get their fix. This length works for them extremely well, bringing out the best of old school hardcore: quick, brutal and to the point.
Fit For An Autopsy’s fourth studio album is the manifestation of years of global tragedies and catastrophes that have come to a boiling point for the band. The Great Collapse sounds like how you feel if you’re fed up with hearing about bombings, unusually destructive natural events, and everything terrible in between.
Continue reading RECORD REVIEW: Fit For An Autopsy Confront Current Events with ‘The Great Collapse’
Massachusetts metal masters Within the Ruins are releasing their fifth album, Halfway Human. It is political, personal, progressive, technical, and triumphant. It is a record that’s easy to lose yourself in both lyrically and instrumentally. Halfway Human is full-way wonderful.
Continue reading RECORD REVIEW: Within the Ruins ‘Halfway Human’
France upgraded bread to the baguette, manual decapitations to the more efficient guillotine, and now in a delicious twist for our ears, Paris gives us the a new record from Betraying The Martyrs.
The Resilient is a fresh take on an existing genre. The band’s third studio album is a twelve-track amalgamation of several “-core” and metal subgenres; metalcore, deathcore and symphonic metal are just some of the ingredients. It is a well thought out inquisition into our purpose in life without feeling weak or overdone. It calls out cowards that harm, kill and take advantage of the innocent while forcing listeners to question their actions (or inactions). Aside from resilient, the record is existential and nostalgic.
Continue reading RECORD REVIEW: Betraying The Martyrs ‘The Resilient’
What’s Lorna Shore? Black metal not from Norway you say? Technical black metal deathcore? From New Jersey? And it’s actually good?
The answer to all of those questions is simply “yes.” Lorna Shore have been around for a few years. Building on the strength of their first album, Psalms, they have crafted a fast-paced, brutal and philosophical full-length that should surely propel them to the forefront of the genres they dabble in. Flesh Coffin, which arrives officially on February 17th, 2017, is a foray into the mysteries of death and life and what they mean. “Denounce The Light” forces you to wonder how far you would go to keep living once your time has passed. “the//watcher” suggests your life is not your own. Throughout the album, the bass drums and relentless shrieking often drown out the inquisitive lyrics and render them nearly unintelligible, but that is par for the course with heavier music.
You can feel the heat from the burning churches when Flesh Coffin comes on. Lorna Shore’s black metal side is on display in this release. The technical, progressive and deathcore elements show through as well, making the album fun, brutal and potentially overwhelming. It is an album to look forward to and listen to repeatedly as every playthrough will offer you a new perspective.
by David Marulanda