Tag Archives: deathcore

EXCLUSIVE PREMIERE: Ellipses Stream Full ‘Human’ EP

Five piece metalcore act Ellipses hailing from Litchfield, CT are exclusively premiering their EP Human right here at HXC. The six song release, featuring their unforgiving single “Harsh Upbringings,” is a proud display of unrelenting emotion. Despite it being early in their career, this band already bring memorable breakdowns and impressive shredding to the table. While the low-toned screaming and growling gives the band an intensely heavy sound, they are able to find just the right moments to sneak in melodic riffs, making for a dynamic listening experience.

Check out the exclusive full stream plus a Q&A with the band below!

Continue reading EXCLUSIVE PREMIERE: Ellipses Stream Full ‘Human’ EP

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RECORD REVIEW: Fit For An Autopsy Confront Current Events with ‘The Great Collapse’

Fit For An Autopsy’s fourth studio album is the manifestation of years of global tragedies and catastrophes that have come to a boiling point for the band. The Great Collapse sounds like how you feel if you’re fed up with hearing about bombings, unusually destructive natural events, and everything terrible in between.

Continue reading RECORD REVIEW: Fit For An Autopsy Confront Current Events with ‘The Great Collapse’

RECORD REVIEW: Betraying The Martyrs ‘The Resilient’

France upgraded bread to the baguette, manual decapitations to the more efficient guillotine, and now in a delicious twist for our ears, Paris gives us the a new record from Betraying The Martyrs.

The Resilient is a fresh take on an existing genre. The band’s third studio album is a twelve-track amalgamation of several “-core” and metal subgenres; metalcore, deathcore and symphonic metal are just some of the ingredients. It is a well thought out inquisition into our purpose in life without feeling weak or overdone. It calls out cowards that harm, kill and take advantage of the innocent while forcing listeners to question their actions (or inactions). Aside from resilient, the record is existential and nostalgic.

Continue reading RECORD REVIEW: Betraying The Martyrs ‘The Resilient’

Record Review: Lorna Shore ‘Flesh Coffin’

What’s Lorna Shore? Black metal not from Norway you say? Technical black metal deathcore? From New Jersey? And it’s actually good?

The answer to all of those questions is simply “yes.” Lorna Shore have been around for a few years. Building on the strength of their first album, Psalms, they have crafted a fast-paced, brutal and philosophical full-length that should surely propel them to the forefront of the genres they dabble in. Flesh Coffin, which arrives officially on February 17th, 2017, is a foray into the mysteries of death and life and what they mean. “Denounce The Light” forces you to wonder how far you would go to keep living once your time has passed. “the//watcher” suggests your life is not your own. Throughout the album, the bass drums and relentless shrieking often drown out the inquisitive lyrics and render them nearly unintelligible, but that is par for the course with heavier music.

You can feel the heat from the burning churches when Flesh Coffin comes on. Lorna Shore’s black metal side is on display in this release. The technical, progressive and deathcore elements show through as well, making the album fun, brutal and potentially overwhelming. It is an album to look forward to and listen to repeatedly as every playthrough will offer you a new perspective.

Four Star Rating

by David Marulanda

Fit For A King Vocalist Ryan Kirby Talks Heaviest Album Yet, ‘Deathgrip’

The 2015 terrorist attacks on Paris affected not just the iconic French city but the globe, and not just the the ever-turbulent political sphere but the music industry as well. Since acts of terror have become an unfortunately common occurrence in our modern world, we’ve heightened security at large, international events like the Olympics and international hubs of transport such as airports. However, the tragedy that occurred at a concert at the Bataclan was tragic for more than the obvious reason. For many in the music community, like Fit For A King, it was traumatic because it attacked what is supposed to be a safe haven away from all of the horror of the world.

Continue reading Fit For A King Vocalist Ryan Kirby Talks Heaviest Album Yet, ‘Deathgrip’

RECORD REVIEW: Fit For A King – ‘Deathgrip’

As the name implies, Deathgrip is almost exclusively about mortality, anguish, fear and terror – and it’s a grand time. The chilling intro sets the tone for what is a sheer mosh-fest conducted by the reaper himself for the whole length of the album.

Continue reading RECORD REVIEW: Fit For A King – ‘Deathgrip’

Chelsea Grin Premiere New Song “Clickbait”

Chelsea Grin have just released their new single “Clickbait” off their upcoming record Self Inflicted. The new record will be the band’s first release with Rise Records and is set to come out on July 1st. Pre-orders are available here!

Does the new track have you grinning from ear to ear? Let us know! (Yes, we enjoy making awful puns.)

Continue reading Chelsea Grin Premiere New Song “Clickbait”

LIVE REVIEW: The Acacia Strain, Counterparts, Fit For An Autopsy, Kublai Khan

Fit For An Autopsy
Fit For An Autopsy

In the cozy, dim, musty room known as The Studio at Webster Hall, a frenzied soldout crowd gathered on December 12th to let loose and blow off steam to the varying hardcore sounds of Kublai Khan, Fit For An Autopsy, Counterparts and The Acacia Strain on their Tune Low Die Slow Tour. Leaving out the inefficiency of the venue’s staff, which kept concert goers waiting to enter for over forty five minutes, The Studio is the perfect host for shows like this. There was no shortage of stage climbers, crowd surfers and mic grabbers. The low, crowded stage and the lack of barricades help make shows here intimate, family affairs.

My night began with Kublai Khan, although local New York band Newcomer was supposed to have played ahead of them. I will never know. The opinionated Texan band named after a merciless Mongol emperor blasted their hopeful message of change and togetherness without over-the-top showmanship. As much as I love watching manic stage antics, Matt Honeycutt’s (vocals) onstage presence is enough to hold anyone’s attention without it. This band is about what needs to be said, and Honeycutt says it well. Bodies went flying and when Kublai Khan performed “Color Code” there could not have been more energy flowing through The Studio.

Fit For An Autopsy came on next and the room could not have felt smaller. The eclectic combination of deathcore blast beats and melodic death metal grooves saw the pit expand and consume the vast majority of the space. You could feel the anger radiating from it and the stage. There was no room in The Studio for anything other than the palpable disgust in humanity that is a mainstay in FFAA’s music.

Fit For An Autopsy’s endurance is remarkable. Joe Badolato (vocals) steadily released thunderous low growls as his bandmates furiously played their speeding instrumentals through the set with minimal pauses, one of which was to call a fight that had broken out as “pussy shit” that no one wanted to see, and another to announce “Out to Sea” to a cheering crowd.

Counterparts
Counterparts

The cheers continued as the lively, bouncy Counterparts excited The Studio with their relentless energy and upbeat sounds. I didn’t know what to expect from the Canadians, but I wasn’t disappointed. Their metalcore sounds were in cheery (well, cheerier) opposition to the lower, heavier bands before them. The most impressive aspect of their set was the crowd’s insanity. I can’t remember the last time I saw a band that wasn’t headlining make the entire venue move.

The crowd turned it up almost to the ceiling when Massachusetts deathcore veterans The Acacia Strain unleashed their hopeless, godless and ruthless auditory punishment. Vincent Bennett (vocals) lugged around the stage with an empty, crazed stare spitting up and down, throwing water on the crowd. When he spoke between songs he sounded honest and caring. During songs, he was the embodiment of hate. When he bellowed, “I am the end of the world,” he was surrounded by fans on stage shouting it as rabidly as he was. Other songs played were recent and old favorites including “JFC” and “4×4” as well as songs from Coma Witch. When you’re only playing hits the crowd, will always lose their shit.

Bennett walked off stage leaving the rest of the band to cool down the crowd with instrumentals. As I walked out I passed a guy with a blood-covered fist showing a friend, claiming none of the blood was his. That’s what an evening in a cramped room with hardcore bands will do to you. The tour is now over, but three out of the four bands are on the rise. Keep an eye out for Kublai Khan, Fit For An Autopsy, and Counterparts while you continue enjoying The Acacia Strain.

Check out the FULL PHOTO GALLERY here!

by David Marulanda 

Live Review: The Amity Affliction at Irving Plaza 10.23.15

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Photo by Justin LaMot

A show like this can only be described in one word, and that is “phenomenal.” The lineup was diverse, yet also appealing as all the bands fit perfectly together despite their differences in sound and genre. These bands included The Plot In You, Cruel Hand, Secrets, Chelsea Grin and, of course, The Amity Affliction. Ranging from hardcore to metalcore and even deathcore, this show was entertaining throughout every set played.

Unfortunately I missed the opening band, The Plot In You, but talking with some fans and other concert goers I gathered their performance was nothing less than amazing. Although many said that TPIY’s set was way too short and wish they were able to play more, I spoke with Landon Tewers (vocalist) and discussed news of a headlining tour that will be announced soon! So don’t worry, their longer sets will come. Following them was Cruel Hand. I felt as if I was thrown back into 2007 listening to hardcore music while being angsty in high school. I mean that in every positive way. Cruel Hand had an old school hardcore vibe yet one that still fits in today’s scene. Definitely a blast from the past, yet a pleasant one!

Photo via Justin LaMot
Justin LaMot with The Plot In You

Next up was Secrets, who follow a similar pattern and style to other bands in the metalcore genre, but they nailed their performance. The crowd went wild and it was definitely one to remember. With a new album coming out in December (Everything That Got Us Here), they definitely gained many fans and followers with their set. Whether it was the powerful screams or pleasant cleans, the balance seemed just right. But when it comes to deathcore, Alex Koehler of Chelsea Grin knows just the perfect balance between lows and highs. CG destroyed with their set and the pit went berserk. The idly standing viewers in Irving Plaza quickly transformed into an ocean of destruction. It was an incredible sight to not only witness, but to also be part of. They definitely paved the way for The Amity Affliction by getting us all pumped with classic and new Grin songs, even covering Korn’s “Right Now,” which got plenty of love from the fans.

It was the set everyone had been waiting for as the whole venue filled to the brim–in terms of capacity and excitement–as The Amity Affliction took the stage. The crowd constantly sung along while the vocals switched between Joel Birch’s piercing screams and Ahren Stringer’s cleans. It was a perfect set covering old and new songs, yet no matter what was played the crowd remained in harmony with each other and the band throughout. The Amity Affliction showed us why they deserved their position as the headlining band. Overall, the concert was an incredible experience and one to look back on in hopes that the next show attended will be just as amazing, yet will probably be hard to top. But for now, we will dwell on our smartphone videos and pictures reminiscing on how great The Amity Affliction was until they return back to the U.S.

By Justin LaMot

Record Review: Fit For An Autopsy – ‘Absolute Hope Absolute Hell’

FitForAnAutopsy

Three albums into their career and Fit For An Autopsy are finding themselves approaching the forefront of deathcore. Their latest release, Absolute Hope Absolute Hell, breathes some fresh air into the genre and separates the band from the pack. The album isn’t fully original, but it does contain some aspects you wouldn’t expect and is devoid of some you would. It begins with a brief haunting melody before the aggression kicks in full blast. The tone is set from there. “Out to Sea” and “Swing the Axe” bring slow, peaceful guitar chords before the drums smash through.

Absolute Hope Absolute Hell is not laden with breakdowns and it’s more melodic than its competitors, with instances of singing or chanting. “Ghosts in the River” is as progressive as deathcore can get. The song’s vocals can almost be called singing. However, it is still undoubtedly violent and burns with an insatiable disgust of humanity’s crimes. “God is a lie and man is a failure,” growls Joe Badolato matter-of-factly in “Saltwound.”

Fit For An Autopsy don’t do violence for the sake of violence. This record is an attempt to do more than just make an album. It is a genre freshener, a topic of conversation, a game changer. It is also not too different. It tiptoes the line between being what you thought it would be and surprising you with being unique. It is something you want to listen to, and multiple times. Absolute Hope Absolute Hell is one of those albums that will receive more credit in hindsight than at first, and it will deserve it.

by David Marulanda 

Four Star Rating